Services
The film reflects a modern fairy tale in which good fights evil.
Data safety is the key matter for the producers, thus our key assumption is that proper storage of the data should also be clear matter for all. In order to meet these challenging requirements we propose complete workflow starting with storing the film data on transport discs set-up in RAID-5 and RAID -6 for the production period and finally saving the data for proper archiving using LTO-8, a magnetic tape data storage with the tapes automatically rewind twice a year performing data coherence check.
In order to maximise work convenience for artists and producers, we use matrix and fast connectors to limit the time necessary to perform data back up, archiving as well as to allow prompt release of the dailies and offline proxies.
At the New Wave Film studio we can prepare dailies in any time based on client’s requirements regardless of the camera used on the film set. Having huge experience we can always propose dedicated solution, while adjusting to individual client’s needs.
The dailies may be delivered including LUT’s set-up during camera tests, in native colours or after onelight colour correction; based on our agreement and accepted workflow.
We always discuss with the client during pre-production stage the way and the deadline for delivering dailies.
Offline editing is when the storytelling happens, by using image and sound. We know what it means to be in the creative process – it is different for every person. This is why our editing rooms include everything what one needs to feel here at ease.
The transcoded offline proxies are transferred to the chosen editing station, so the editor can start to work at the same time as the film production still takes place.
Colour grading and colour correction are at the heart of the New wale Film studio. Each film project, a commercial ad, film series, feature film or documentary requires all film artists to work together, to merge their visions and in result to tell unique story to the viewers. The cinematic image is the product of joining their forces and it is where visions and imargination of the DOP, the Director and Colour grading artist finally meet.
We take individual approach at every film project, since every story is unique.. Our colour grading journey start already at the camera tests stage, when we propose different technologies and artistic approach. We think, that visualising an idea builds understanding between the artists, and that’s why we suggest colour grading sessions at the pre-production stage. This lets the film creators to picture their ideas of the colour they want to achieve and together work out the visual language of the film.
The specific “look” created this way allows the set designer, the costume designer and make-up artist work in a more comfortable way and it is also used during the image postproduction; when preparing LUT’s to be used on the film set and dailies preparation or as starting point in the colour grading stage.
Our facilities include a very modern, calibrated movie theatre with the largest among currently offered 65″ 4K reference monitor.
Wether we join your project at the pre-production or postproduction stage we alway strive for best co-operation and looking for creative solutions, so every little detail is polished and each frame is as beautiful as it may be.
New Wave Film gathers many fine colour grading artists, computer graphic artists and technicians. Our infrastructure allows to collaborate with them using any type of file and colour space: rec709, P3, ACES, so the creativity at this final stage of the filmmaking is boundless.
Final adding of the VFX shots, the sound mix or subtitles is run under close supervision of our technicians. The custom made workflow allows for fast running of all the processes preparing finished film for mastering.
We are an experienced team specializing in helping filmmakers secure financial support in the form of incentives and grants from the Polish Film Institute (PISF). For many years, we have been offering comprehensive assistance in the application process and in obtaining funds for film production.
Years of Experience
Our team has extensive experience in applying for incentives and grants. With a thorough understanding of PISF’s rules and procedures, we effectively support our clients at every stage of the application process.
High Success Rate
Our work is characterized by efficiency and effectiveness. Thanks to our expertise and years of experience, we achieve a high success rate in securing and settling funds for film projects.
Comprehensive Support
We provide end-to-end support throughout all stages of the application process – from project analysis, through preparing documentation, to monitoring applications and final project settlement. We stand by our clients every step of the way.
Our services include:
– Project analysis and evaluation of eligibility for incentives and grants,
– Assistance in preparing applications and necessary documentation,
– Cooperation with the Polish Film Institute at every stage of the process,
– Monitoring application progress,
– Project settlement.
The projects we have had the pleasure to work on include: *The Hunger Games: The Ballad of Songbirds and Snakes*, *Der Palast*, *Old People*, *Irena’s Vow*, *A Girl and an Astronaut*, *Perfect Addiction*, *Barbarians*, and *Deutsche House*.
Data safety is the key matter for the producers, thus our key assumption is that proper storage of the data should also be clear matter for all. In order to meet these challenging requirements we propose complete workflow starting with storing the film data on transport discs set-up in RAID-5 and RAID -6 for the production period and finally saving the data for proper archiving using LTO-8, a magnetic tape data storage with the tapes automatically rewind twice a year performing data coherence check.
In order to maximise work convenience for artists and producers, we use matrix and fast connectors to limit the time necessary to perform data back up, archiving as well as to allow prompt release of the dailies and offline proxies.
Data safety is the key matter for the producers, thus our key assumption is that proper storage of the data should also be clear matter for all. In order to meet these challenging requirements we propose complete workflow starting with storing the film data on transport discs set-up in RAID-5 and RAID -6 for the production period and finally saving the data for proper archiving using LTO-8, a magnetic tape data storage with the tapes automatically rewind twice a year performing data coherence check.
In order to maximise work convenience for artists and producers, we use matrix and fast connectors to limit the time necessary to perform data back up, archiving as well as to allow prompt release of the dailies and offline proxies.
At the New Wave Film studio we can prepare dailies in any time based on client’s requirements regardless of the camera used on the film set. Having huge experience we can always propose dedicated solution, while adjusting to individual client’s needs.
The dailies may be delivered including LUT’s set-up during camera tests, in native colours or after onelight colour correction; based on our agreement and accepted workflow.
We always discuss with the client during pre-production stage the way and the deadline for delivering dailies.
At the New Wave Film studio we can prepare dailies in any time based on client’s requirements regardless of the camera used on the film set. Having huge experience we can always propose dedicated solution, while adjusting to individual client’s needs.
The dailies may be delivered including LUT’s set-up during camera tests, in native colours or after onelight colour correction; based on our agreement and accepted workflow.
We always discuss with the client during pre-production stage the way and the deadline for delivering dailies.
Offline editing is when the storytelling happens, by using image and sound. We know what it means to be in the creative process – it is different for every person. This is why our editing rooms include everything what one needs to feel here at ease.
The transcoded offline proxies are transferred to the chosen editing station, so the editor can start to work at the same time as the film production still takes place.
Offline editing is when the storytelling happens, by using image and sound. We know what it means to be in the creative process – it is different for every person. This is why our editing rooms include everything what one needs to feel here at ease.
The transcoded offline proxies are transferred to the chosen editing station, so the editor can start to work at the same time as the film production still takes place.
Colour grading and colour correction are at the heart of the New wale Film studio. Each film project, a commercial ad, film series, feature film or documentary requires all film artists to work together, to merge their visions and in result to tell unique story to the viewers. The cinematic image is the product of joining their forces and it is where visions and imargination of the DOP, the Director and Colour grading artist finally meet.
We take individual approach at every film project, since every story is unique.. Our colour grading journey start already at the camera tests stage, when we propose different technologies and artistic approach. We think, that visualising an idea builds understanding between the artists, and that’s why we suggest colour grading sessions at the pre-production stage. This lets the film creators to picture their ideas of the colour they want to achieve and together work out the visual language of the film.
The specific “look” created this way allows the set designer, the costume designer and make-up artist work in a more comfortable way and it is also used during the image postproduction; when preparing LUT’s to be used on the film set and dailies preparation or as starting point in the colour grading stage.
Our facilities include a very modern, calibrated movie theatre with the largest among currently offered 65″ 4K reference monitor.
Wether we join your project at the pre-production or postproduction stage we alway strive for best co-operation and looking for creative solutions, so every little detail is polished and each frame is as beautiful as it may be.
Colour grading and colour correction are at the heart of the New wale Film studio. Each film project, a commercial ad, film series, feature film or documentary requires all film artists to work together, to merge their visions and in result to tell unique story to the viewers. The cinematic image is the product of joining their forces and it is where visions and imargination of the DOP, the Director and Colour grading artist finally meet.
We take individual approach at every film project, since every story is unique.. Our colour grading journey start already at the camera tests stage, when we propose different technologies and artistic approach. We think, that visualising an idea builds understanding between the artists, and that’s why we suggest colour grading sessions at the pre-production stage. This lets the film creators to picture their ideas of the colour they want to achieve and together work out the visual language of the film.
The specific “look” created this way allows the set designer, the costume designer and make-up artist work in a more comfortable way and it is also used during the image postproduction; when preparing LUT’s to be used on the film set and dailies preparation or as starting point in the colour grading stage.
Our facilities include a very modern, calibrated movie theatre with the largest among currently offered 65″ 4K reference monitor.
Wether we join your project at the pre-production or postproduction stage we alway strive for best co-operation and looking for creative solutions, so every little detail is polished and each frame is as beautiful as it may be.
New Wave Film gathers many fine colour grading artists, computer graphic artists and technicians. Our infrastructure allows to collaborate with them using any type of file and colour space: rec709, P3, ACES, so the creativity at this final stage of the filmmaking is boundless.
Final adding of the VFX shots, the sound mix or subtitles is run under close supervision of our technicians. The custom made workflow allows for fast running of all the processes preparing finished film for mastering.
New Wave Film gathers many fine colour grading artists, computer graphic artists and technicians. Our infrastructure allows to collaborate with them using any type of file and colour space: rec709, P3, ACES, so the creativity at this final stage of the filmmaking is boundless.
Final adding of the VFX shots, the sound mix or subtitles is run under close supervision of our technicians. The custom made workflow allows for fast running of all the processes preparing finished film for mastering.
We are an experienced team specializing in helping filmmakers secure financial support in the form of incentives and grants from the Polish Film Institute (PISF). For many years, we have been offering comprehensive assistance in the application process and in obtaining funds for film production.
Years of Experience
Our team has extensive experience in applying for incentives and grants. With a thorough understanding of PISF’s rules and procedures, we effectively support our clients at every stage of the application process.
High Success Rate
Our work is characterized by efficiency and effectiveness. Thanks to our expertise and years of experience, we achieve a high success rate in securing and settling funds for film projects.
Comprehensive Support
We provide end-to-end support throughout all stages of the application process – from project analysis, through preparing documentation, to monitoring applications and final project settlement. We stand by our clients every step of the way.
Our services include:
– Project analysis and evaluation of eligibility for incentives and grants,
– Assistance in preparing applications and necessary documentation,
– Cooperation with the Polish Film Institute at every stage of the process,
– Monitoring application progress,
– Project settlement.
The projects we have had the pleasure to work on include: *The Hunger Games: The Ballad of Songbirds and Snakes*, *Der Palast*, *Old People*, *Irena’s Vow*, *A Girl and an Astronaut*, *Perfect Addiction*, *Barbarians*, and *Deutsche House*.
We are an experienced team specializing in helping filmmakers secure financial support in the form of incentives and grants from the Polish Film Institute (PISF). For many years, we have been offering comprehensive assistance in the application process and in obtaining funds for film production.
Years of Experience
Our team has extensive experience in applying for incentives and grants. With a thorough understanding of PISF’s rules and procedures, we effectively support our clients at every stage of the application process.
High Success Rate
Our work is characterized by efficiency and effectiveness. Thanks to our expertise and years of experience, we achieve a high success rate in securing and settling funds for film projects.
Comprehensive Support
We provide end-to-end support throughout all stages of the application process – from project analysis, through preparing documentation, to monitoring applications and final project settlement. We stand by our clients every step of the way.
Our services include:
– Project analysis and evaluation of eligibility for incentives and grants,
– Assistance in preparing applications and necessary documentation,
– Cooperation with the Polish Film Institute at every stage of the process,
– Monitoring application progress,
– Project settlement.
The projects we have had the pleasure to work on include: *The Hunger Games: The Ballad of Songbirds and Snakes*, *Der Palast*, *Old People*, *Irena’s Vow*, *A Girl and an Astronaut*, *Perfect Addiction*, *Barbarians*, and *Deutsche House*.
